Terri Schiavo´s Life Story - 1542 Words

In the early months of 2005, Terri Schiavo’s life story, involving her persistent vegetative state (PVS) captured the worldwide spotlight and brought up controversial issues surrounding guardian care of the patient, as well as the overall decisions made by Congress. The government involvement in her case impeded any decisions the family and spouse could properly address for the well being of Schiavo (Montero 166). The governmental court system in Terri Schiavo’s case behaved immorally in regard to the eventual removal of her feeding tube. In 1990, Schiavo suddenly collapsed in her house at the age of 26. Oxygen was depleted to her brain for several minutes as she lay unconscious on the ground. The cause of her collapse sent both her doctors and nurses into disarray because there was not a specific pinpoint reason for her collapse. Her husband, Michael Schiavo, suspected the collapse was due to a cardiac arrest from a potassium imbalance due to her suspected bulimia. H er parents, Bob and Mary Schindler, believed her fall was rendered by strangulation from Michael Schiavo, which caused the depletion of oxygen to her brain. Once admitted into the hospital, further examinations concurred that she did not suffer any heart or strangulation injuries. Once in the hospital, doctors and nurses examined Terri and concluded she was in a coma, which then would evolve into a vegetative state (Montero 167). Patients will normally enter into a coma, which resembles a sleep state ofShow MoreRelatedEssay on Ethical Issues in End-of-Life Decisions1453 Words   |  6 PagesThey were the subjects of public disputes with family members, court systems, medical professionals, the media, and society at large. Terri Schiavo, Nancy Cruzan and Karen Ann Quinlan; their names are synonymous with permanent vegetative state (PVS). The amazing technological advancements in modern medicine has been credited with keeping persons alive who in times past would have died, therefore this is remarkable for countless families. In the cases of the Quinlan’s, the Cruzan’s and many like themRead MoreThe Right Of Physician Assisted Suicide1968 Words   |  8 Pageswrong because it goes against the teachings of the bible which states a life is created at the moment of conception and is always precious. Modern Liberals would agree with conservatives that, yes every life is precious and should be cherished, unless there are special circumstances involving a specific patient. From a social standpoint they believe that everyone has a right to do as they wish with their social and personal life without the government telling them what to do. â€Å"Liberals take to heartRead MoreShould Die And Die?1214 Words   |  5 PagesKaren was at a friend s birthday party that night where she drank gin-and-tonics and swallowed tranquilizers. After she came home, her roommates checked on her, and when they discovered she wasn t breathing (Chronology: Right to Die). Wh en was the right to die first introduced? What were some of the first places to undergo the right to die? How does the right to die work? What is the right to die? People disagree with the right to die and how does that affect other people. Some people may thinkRead MoreHalloween : Is It Fear?2006 Words   |  9 Pagesstood out to me was that of Mendez and her success story. In his article, Thrasher talks about Segrereo Mendez coming from Honduras to New York in 1976 but leaving one of her sons back home. Before the amnesty, Mendez had a hard time establishing herself as she had to live hiding from Immigration. Nonetheless, in 1986 she applied for amnesty the first day she could, she got a job permit, a green card, and eventually became a citizen in the 90’s (Thrasher). After the amnesty only good things would

The Beam Therapy For Eliminating Cancer - 742 Words

–External Beam Therapy to Eliminate Cancer According to The American Cancer Society, 43.92% of males and 38% of females have the risk of developing cancer during his/her lifetime (â€Å"Lifetime Risk,† 2013). External beam therapy is a common cancer treatment that is distributed from a machine and is focused on the cancer inside the patient (External Beam Therapy, 2014). The treatment is a lot like getting an x-ray only the treatment is more time-consuming and uses a high dosage of radiation which is measured in units called Gray (Gy) (â€Å"External Beam Therapy† n.d.). Some of the machines for external beam therapy include linear accelerators, cobalt machines, and orthovoltage X-ray machines (Hopkins, n.d.). The type of machine used on each patient will be decided by the radiation oncologist (Hopkins, n.d.). The machine will not touch the patient and as you read further you will learn it does not hurt, and the radiation cannot be seen, felt, or smelled (â€Å"Lifetime Risk†, 2013). External Beam Th erapy is an effective and safe treatment plan used to treat cancer. External Beam Therapy was first used to treat a cancer patient, Gordon Isaacs, with the linear accelerator for retinoblastoma in 1957. Gordon s right eye had to be removed because the cancer spread. His left eye had only a localized tumor. Henry Kaplan treated it with the electron beam in 1957. Gordon is still alive and healthy; and his vision in the left eye is normal. External beam therapy is the reason Gordon isShow MoreRelatedCancer s Reputation Is Dismal And Menacing1155 Words   |  5 Pagesor loved ones is cancer. The word automatically instills fear, confusion, denial, and leaves the individual questioning his or her beliefs wondering â€Å"Why me?†. It overpowers all previous commitments or opportunities seizing control over the customary quality of life. Cancer is a disease caused by an uncontrolled division of abnormal cells in a part of the body often metastasizing elsewhere. 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All About My Mother Pan’s Labyrinth Free Essays

How far do the narratives of the films you have studied rely on dramatic moments of confrontation and how far on a more subtle change over time? The two very different Spanish films All about my Mother (AAMM) and Pan’s Labyrinth use complex narratives and character representations to explore gender ideologies. I would suggest that both films rely in part on dramatic moments of confrontation but also demonstrate a more subtle change over time; in this essay I will explain this view. We will write a custom essay sample on All About My Mother Pan’s Labyrinth or any similar topic only for you Order Now AAMM is a powerful melodrama, exhibiting many of Almodovar’s signature traits and exemplifying his exhuberant, challenging post-Franco style. As a melodrama, it is hardly surprising that there are many dramatic moments within the narrative and throughout the film we see various confrontational moments between the characters. For example, as Manuela enters Barcelona in a taxi there is a violently shocking scene which introduces us to Agrado as she is assaulted by a client. She is defiant in her response and in this way Almodovar sets his agenda: this is a film which challenges traditional gender roles and our perceptions of what is and what ‘should be’. The scene is perhaps all the more shocking because up until this point, in Madrid, there has been high drama in the sudden death of Manuela’s son but her reaction to it is subtly presented and gender representations are far more traditional and in line with the hegemonic view. As Manuela’s somewhat passive quest to find Lola continues, the narrative is punctuated by various melodramatic moments of confrontation but Almodovar’s intention is clearly not merely to present a set of over-exaggerated characters in improbable scenarios and it is perhaps his subtlety that allows the film to communicate its real meaning. Although Manuela is the main character and it is her actions which move the narrative along initially, it is perhaps through all of his characters and their intertwined experiences that Almodovar more fully explores gender and sexuality and questions hegemonic values. Each of his characters goes on a journey and whilst the overtly melodramatic narrative is what keeps the audience entertained (if somewhat disbelievingly) it is perhaps the more subtle undertones of change which we can only appreciate once the film is finished that contain its true message. Manuela, the eternal mother, has a chance to be so to an infant again; Agrado has found acceptance and purpose which does not rely on the sale of her body; Huma is free of the destructive and toxic Nina; Rosa’s mother, who represents perhaps more than any other character the hegemonic values of Spanish society that Almodovar is challenging, is shown to be uncaring in the worst way by rejecting her grandchild and thereby loses her right to have access to him. Rosa, of course, is dead but before her death she had seamlessly morphed from nun to earthly mother. I would argue that all of these changes are subtle and not reliant on moments of dramatic confrontation, and that actually it is these changes – these people – which are the film’s narrative. Although the dramatic moments are entertaining, they are the bass line and the subtler changes are the melody. In terms of narrative, Pan’s Labyrinth is of course quite different from AAMM but I would argue that in terms of the importance of dramatic moments of confrontation versus subtler changes, there are some similarities. As a gothic fairytale/fantasy film set during the Spanish civil war, we would expect dramatic confrontations as binary oppositions are a key convention of the genre and confrontations a symptom of conflict; and indeed, we are not disappointed. The villain of the tale, Captain Vidal, is at the heart of most of the dramatic confrontations within the film, with the Doctor, Ofelia, Carmen, the rebels and eventually, the ultimate confrontation with Mercedes which results in his death. As in AAMM, these moments are certainly key to the development of the narrative and serve to highlight del Toro’s representation of Franco’s hegemonic masculinity as violent, controlling and confrontational. But when we look at the female characters in the film, as indeed we must, there is a recognisably subtler and more sensitive approach both in their representation and in their roles and functions within the narrative. Mercedes, as the ‘helper’, grows in strength and courage as the film progresses, moving gradually from a somewhat sidelined observer of Vidal’s terror to a heroic central player and successful challenger, killing the villain and saving the rebels (who happen to be men). Ofelia of course, undergoes enormous change throughout the tale, losing her mother and confronting various creatures as well as Vidal as she goes but perhaps more significantly, failing to confront her own fear of growing up and instead opting to stay a child forever. Carmen is represented as weak and conforming to the hegemonic ideology that women should be subservient to their husbands and she dies during childbirth, perhaps to demonstrate that this view is outdated. In this film, the necessity for women to be mothers is thus challenged through both mother and daughter, as Carmen dies for it and Ofelia openly rejects it. One conclusion which could be drawn is that although there are many moments of dramatic confrontation in Pan’s narrative, they perhaps merely mask the subtler changes happening beneath them. Or that del Toro has intentionally constructed these confrontations within the world of the men and within Ofelia’s fantasy world to allow us to observe that subtler changes which they promote in our heroine and her helper. The eventual result, of course, being that the situation in Vidal’s ‘family’ mirrors that of the war with the rebels: he fails to recognise the subtle changes occurring around him and pays for it dearly. Because in actuality, it is the female characters who are in control and their experiences being explored. As I said, Vidal and the dramatic moments of confrontation that he is so frequently part of, are the cause and the subtler changes within the female characters the effect. In conclusion, I would say that as with most narratives, dramatic moments of confrontation help to move things along in both of these films but are by no means completely relied upon to create meaning and communicate with the audience. Both films, in different ways, are about women and their experiences and subtlely is also required to communicate these experiences with the poignancy and genuine feeling that they do. How to cite All About My Mother Pan’s Labyrinth, Papers